The late Kota Srinivasa Rao, known for his extraordinary acting prowess, delivered a standout performance in the film Mandalaadheesudu — a truly unforgettable chapter in his career.
Whether that memory is a good one or a bad one is debatable, but what’s undeniable is the courage it took to play such a role early in his career, when he was still trying to establish himself in the industry.
Back then, the towering figure of N. T. Rama Rao was not just a legendary actor but also the serving Chief Minister of Andhra Pradesh.
Playing a character that bore negative shades and closely resembled NTR was no small feat — especially for a newcomer.
Whether Kota took on the role knowingly or unknowingly, or simply didn’t foresee the backlash in those early days, is unclear. But he did it brilliantly.
However, that decision came at a price. He faced hardships for quite some time afterward. Opportunities turned scarce as die-hard NTR fans turned against him.
In fact, once at the Vijayawada railway station, he reportedly had to flee from the wrath of angry fans. Ironically, he would later be elected as an MLA from that very city.
Kota often shared with close friends how, unlike the filmmakers and producers, he alone bore the brunt of the consequences for that controversial role.
But real talent is best recognized by fellow actors. Whether openly admitted or not, NTR was not one to hide his appreciation.
Once, when Kota happened to meet NTR in person, the legendary figure congratulated him, saying, “I’ve heard you're a fine actor.”
That moment, Kota felt as if a massive weight had been lifted off his shoulders and immediately bowed down to touch NTR’s feet in gratitude.
What makes Kota truly unforgettable, though, is not just Mandalaadheesudu—it’s his unmatched versatility.
He carved a niche for himself by excelling in roles that were eccentric, layered, and far from stereotypical.
Be it the intense Telangana styled politician in Gaayam, the typical villain with unique mannerism in Shatruvu, or the satirical goon in Sarkar, he brought a raw, grounded authenticity that few could match.
His comic timing was impeccable in films like Hello Brother, Money, Ahana Pellanta, and Govinda Govinda.
He could swing effortlessly from dark humor to slapstick, always bringing something fresh to the screen.
And then there was the sensitive side — his varied roles in Athadu, Intlo Illalu Vantintlo Priyuralu, Repati Pourulu, and Anaganaga Oka Roju showcased his depth as an actor who could evoke emotion with the subtlest of expressions.
From villainy to comedy, from satire to sentiment, Kota's range was unparalleled.
He never allowed himself to be boxed into one type of character. Every role — no matter how big or small — was treated with precision and passion.
Kota was known for his straightforward nature. He never hesitated to voice his opinions, often criticizing the growing trend of hiring non-Telugu actors in local films.
Yet, despite serving a term as MLA, he was never deeply involved in politics and rarely expressed political views.
In his personal life, Kota was private but warm. A few close friends who spent time with him in his later years recall that he occasionally opened up during intimate conversations.
In recent times, he had largely withdrawn from the public eye due to age and health issues.
Perhaps the deepest sorrow of his life was the tragic, untimely death of his son—an irreplaceable loss that left a lasting wound in his heart.
In one of his last interviews Kota Srinivas Rao said, “God gave me fame and money, but took away my personal happiness by taking my son and injuring my daughter. I only pray to God that, at least in my next birth, He grants me personal happiness with my family—and it is ok having lesser fame and money.”
