The film starts with
the scene that the Sandal Wood Smuggler Dheerappan (name
resembling Veerappan)was killed. Bha.Su aka Bhavaraju
Suryanarayana (Aryan Rajesh), the TV Reporter covers
the news. While his troupe returns back in hurry an
investigative journalist by name Chakravarthy asks for
lift. But accidentally, as the vehicle rushes with over
speed it meets with big accident. Everybody in the vehicle
gets killed except BhaSu. Chakravarthy breathes his
last by handing BhaSu a bag saying that there is lot
of information regarding Veerappan in that.
Later, BhaSu knows with
the details given by Chakravarthy that Dheerappan buried
a big treasure in the Nitya Mangala Forest. He also
finds the map drawn by Chakravarthy to reach that treasure.
Then BhaSu with a team
goes into the forest in Treasure Hunt. Hamsa Nandini
is one among the team members who gets close to BhaSu.
While hunting for treasure, the team comes to know that
Dheerappan wasn’t dead but still alive. After
getting the treasure the team starts returning back.
But one by one in the team gets killed by some unknown
person on the way mysteriously.
Who is that person?
Is he Dheerappan again? The theme goes with suspense
from the interval till the climax. Suspense cracks only
in the grand finale of the film.
There is nothing great
to mention about Aryan Rajesh. There is no big scope
in the film to unleash his performance in better way.
He just justified his role and nothing more.
Hamsa Nandini is slim and bony. She
looked sensuous in some frames and below average in
many. She looks good only while smiling but appears
pale with serious expression.
Vanita Reddy, with her vamp look appeared
hot on screen.
Jaya Prakasha Reddy has stolen the show
on a whole. His slang dialogues spilled laughs in theatre
and it is only he who continues to flash on mind even
after walking out from theaters.
Dialogues by Akella Vamsi Krishna are
subtle and sensible.
Music:
Ilaya Raja’s mark is observed in all the songs.
Certain beats recall the old films in the combination
of Ilayaraja and Vamshi. Tarani’s Audiography
with hair rising background music added more feel to
the film.
Direction:
Vamshi’s mark is clearly observed while picturing
the songs. Typical East Godavari slang for characters
and showcasing different characterizations and mannerisms
are continued in this film as well.
